Resident Map of Seattle

Resident Map of Seattle, hand-stitched cotton thread, linen, 16"x23"

“We don’t see the world as it is, we see it as we are.”  Anais Nin 

I took the idea of a tourist map and created my own subjective map of Seattle, using images that resonate for me on multiple levels. I reoriented its direction so that East is on the top and framed it on the left side with a construction crane and on the right side with crows in a winter tree.

There are at least 25 stitched symbols within the Resident Map which include:

Herschel the sea lion in Shilshole Bay

Red-eared Slider turtle at Golden Gardens

Ballard Railroad Drawbridge, Ballard Locks

Ballard neighborhood: my house, Ballard Library, playground, Corners Park

Lenin statue, Fremont

Gasworks Park

Greenlake Park

Magnuson Park, Soundgarden

University of Washington canoe rental

Black Sun sculpture, Noguchi, Volunteer Park (space needle inside)

Elephant Car Wash

Louise Bourgeois Eye Bench at Seattle Sculpture garden

guinea pig, Seattle Animal Shelter

Washington State Ferry

Giant Pacific Octopus

Smith Tower

Beacon Hill Veterans Hospital

Mt. Ranier

Boeing Field

Hat & Boots, Georgetown

Duwamish traditional lands, Longhouse

Alki, Statue of Liberty

Harbor Island, shipping containers

Amtrak Cascades

ArtXchange Gallery

Memory Map

"Memory Map" 2017

The child I was is just one breath away from me. - Sheniz Janmohamed, Firesmoke

The concept for this piece began in a class on art and intuition that I took years ago when I lived in Taos. In one of the exercises, we drew the floor plan of a childhood home from memory. I chose to draw the house that I lived in from ages 2-12, and this allowed strong visual images to arise from that time as a child. Memory Map is the result of a long incubating idea for a finished piece.

I stitched the floor plan on two-thirds of the piece starting on the right side, filling the rooms with objects and images. Some of these I created in simple line while others are much more detailed, referencing both photographs and my own recollections.

The general design of the left third of the piece is created from a photograph of me and my sister on either side of our two cousins, posing under a tree in the backyard. To this I added pets, the iris, and my bicycle. The varied colors of the leaves represent the changing seasons and the passage of time.

A white fence extends from the backyard into the center section floor plan and signifies the malleability of memory and a child’s deep connection to imagination, nature, and outside play. The swing set, framing the bedroom, acts as a symbolic representation of my sister and me. A print of Renoir’s painting "A Girl With A Watering Can" hung in our room, and my detailed reproduction of it became a central image by default and not necessarily because of its importance. To me, it depicts an idealized world of order and childhood innocence, thus both intersecting and contrasting with the real life represented around it. The framed mushrooms above it portray the first and only needlework project that I made from a kit when I was around 8 and that was displayed in my parents’ bedroom for years.