December 21, 2014
August 24, 2014
Ode To Golden
"Ode To Golden" 2014 |
For we are the ocean and the waves, the darkness and the light - Tony Parsons
In "Ode to Golden", I took an image of a Panamanian golden frog and overlaid it with an Islamic geometric design, using fill stitch.This frog is critically endangered primarily by a fungal skin disease; pollution and habitat loss are also factors. With line stitch I surrounded the frog with a floral pattern covered with circles that represent both its eggs and the disease that threatens it.
To learn more- http://amphibianrescue.org/tag/project-golden-frog/
In a broad sense the Islamic motif on the frog represents our human impact on and interdependence with the natural world. Specifically these two very disparate ideas- "Islamic Culture" and "Golden Frog" -have both been assailed in their own way.
Besides the frog, the "Golden" in the title refers to the Golden Rule and the idea of golden threads. The Golden Rule calls for compassionate empathy of the "other". 'Golden threads' is a concept I gleaned from Gaia theory that refers to the soul energy that connects all beings on our one living planet. I like this metaphor because I stitched this piece with actual golden colored threads.
It is in the spirit of the Golden Rule and the golden threads that I dedicate this piece to the people of Gaza, especially to the children. They are undergoing unimaginable suffering as the Israeli Occupation Force continues it's third, and by far most devastating, bombing of the Gaza Strip in six years. As I write this, an estimated 2,069 Palestinians in Gaza have been killed, including 553 children. Over 10,500 people have been injured, including 3,106 children. 1800 children have been made orphans.
I have barely touched on this tragedy. To learn more please go to http://savegazaproject.org/
May 11, 2014
Under Siege
"Under Siege" 2014 |
I titled this piece "Under Siege" because with the exception of one subspecies of African white rhinoceros, all five rhinoceros species in the world are in danger of being hunted by poachers for their horns, and three of the species are listed as critically endangered. In keeping with the theme of the title I overlaid the image of the rhino with a design I took from Palestinian embroidery. The background is a modified Islamic geometric pattern with rhino horns for the border.
This is the first piece I've stitched on fabric rather than paper. To get the design on the fabric I used a transfer pencil to trace from a xerox collage. It was then ironed (in reverse) onto the fabric, with the border added later. Because the process is new for me, with such a complicated design and relatively large size -13"x17"- it was a challenge, and it took me a lot longer to make than I was expecting!
Below are the images I referenced including the xerox collage. The Palestinian embroidery design is from the book "Embroidery from Palestine" by Shelagh Weir.
January 20, 2014
In Memory of the Passenger Pigeon
"The last known specimens were seen in most states of the eastern United States, in the 1890's, and the passenger pigeon died out in the wild in Ohio about 1900. The last survivor of the species that had once numbered 5 billion died in captivity in 1914."
--from 'A Green History of the World' by Clive Ponting
"Once There Were" 2014 |
"Once There Were" is my contribution to the story of the extinction of the passenger pigeon. It is an astounding story: that humans caused the extinction of a species that numbered in the billions in only about fifty years.
The bird in the piece is filled in with thread, while the colored rice paper cut outs- in the shapes of acorns, hatchets, oak leaves and rifles- are outlined with chain stitch. I also stitched the words "once there were five billion now there are none". This design surrounds the pigeon in a repeating oval pattern and includes small stitched birds and tear shapes. It tells a brief visual story and evokes for me the description of flocks that would fill the sky for hours. The border is comprised of the sun, moon, a partial representation of the tree of life, and stars in the corners. These are ancient symbols I added to refer to the abiding beauty that surrounds us, less transient than so many things from the natural world that human beings impact.
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